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PeterCorr@hotmail.com
+44 (0)1353 610 280
Cambridgeshire, England


Capturing the vitality and richness of oil paint in acrylics is a challenge
Capturing the vitality and richness of oil paint in acrylics is a challenge. Oil paints have a natural, organic quality that is generally...
peter corr


The Babylon Gallery Summer Art Exhibition
‘Half Moon’ 60 x 60 x 4 cm on Canvas My painting ‘Half Moon’, currently on exhibition at the Babylon Gallery in Ely has just been...
peter corr


Somersham Fen and the symbolism of colour
Somersham Fen 40 x 40 x 4 cm This painting based on Somersham Fen has been created using oil and cold wax medium on a canvas stretcher....
peter corr


Neu Wald, an oil and cold wax painting on wood, by Peter Corr
‘Neu Wald’ This highly textured painting on a solid oak block has just been sold to a collector in Scotland. Oak has a very dense grain...
peter corr


How should you title an abstract painting?
‘The Three Realms’ by Peter Corr ‘The Three Realms’ by Peter Corr For me, a title is an important element in the creation of a painting....
peter corr


The Kingdom of Mercia
‘The Kingdom of Mercia’ 80 x 80 cm by Peter Corr This painting is currently on show at The Old Fire Engine House in Ely, Cambridgshire,...
peter corr


2018 Little Van Gogh Artist Residency
The 2018 Little Van Gogh Artist Residency Announcement I am now the second Little Van Gogh artist to have been awarded this New Forest...
peter corr


Eriswell: A Mixed Media Painting
Eriswell This is a mixed-media landscape painting on a 103cm x 76cm deep edge canvas. It is semi abstract and expressionistic in terms of...
peter corr


Land Fall
‘Land Fall’ is an idea, not a location. In Winter, when the ground is hard underfoot, the activity of man scores pathways and coordinates...
peter corr


River City (or My Stenographic Significance)
River City (provisional) ‘River City’ is just a holding name at the moment. I know approximately what I want to say, but haven’t quite...
peter corr
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