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PeterCorr@hotmail.com
+44 (0)1353 610 280
Cambridgeshire, England


Jeff Beck and the Art of Painting — On Mastery, Risk and the Limits of the Medium
How to be creative with oil paint and cold wax. Using Jeff Becks guitar playing for inspiration
peter corr


Imperfection, Patina and the Painted Surface
The more I paint images of the forest, the more I see trees as a cipher — a kind of encoding, a representation of something else. This painting finally declared itself to me after a few weeks of alternately applying, layering, and removing pigment. 'Natural Theatre' 120 x 100 x 4 cm Oil & Cold Wax on Canvas Painting as Excavation This is painting as extrusion or excavation — not unlike a sculptor releasing a figure embedded in a marble block, or an archaeologist revealing an
peter corr


The Physicality of Oil and Cold Wax — Surface, Texture and the Painted Object
Mike Tyson's remark has always struck me as unexpectedly apt for painting. You can plan a surface, intend a particular quality of light, work toward a specific resolution — and then the painting refuses. What happens next is where the real work begins.
peter corr


Hallucinogenic Mushrooms in the heart of Thetford Forest
Breckland or the Brecks is a wild landscape of dark forests, open heathlands, sandy soils and iconic belts of pine trees that straddle...
peter corr
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