Mike Tyson, the world renowned art critic? 'Everyone has a plan until they get punched in the mouth'
THIS WEEK I am exhibiting artworks 5-8 May 2022 at the Affordable Art Fair in Hampstead, London. I have free tickets, contact me if you would like a pair for any one of the art fair days starting tomorrow! Come and visit my artworks at stand i7, they will be exhibited with Linton59 along with other fantastic artists.
Photography is a wonderful image-making process but it does have limitations, especially when it comes to conveying the texture and nuance of painting. One of the key elements in my work is the sheer weight and accumulation of paint on the surface of the canvas.
This heavy impasto of oil and cold wax is an essential component and part of my visual vocabulary, my voice as a painter. Conveying the visceral nature of oil paint, with a digital camera is a tall order, so I have used strong directional light and a macro lens to reveal the tactile qualities of the work. I hope they give you an indication and a sense of the physicality of my recent landscape paintings.
I am sometimes asked how I start a painting? where do I get my ideas from, and what am I trying to achieve? I could tell you that I plan each composition with a series of plein-air sketches and that I work from these exploratory ideas in my studio before transferring the final design to canvas.
I could say that I build each successive layer of oil and cold wax systematically, but this would be a lie. It isn't that I don't have a plan, of course I do, it would be impossible to start without some aim, a notion of where you might be heading.
However, any plan soon comes up against the harsh reality of what this material called paint will allow you to do. To be honest, paint has a lot in common with my cat, it has a mind of its own and refuses to be coerced into any role or action it has no intention of carrying out. Mike Tyson was also clearly on to something when he famously said 'everyone has a plan until they get punched in the mouth'.
Paintings have a habit of 'punching you in the mouth'. I have pondered the conundrum posed by painting many times and yet I am still very far from finding a satisfactory answer to the age-old dichotomy between representation and abstraction.
There is a constant pull and push, a tug of war in both directions where the middle ground is littered with the debris of unfinished ideas and half glimpsed possibilities.
In this painting for example, the composition is deliberately awkward, an accommodation of modernism; you may discern elements of impressionism, fauvism and expressionism also in this work. The paint is applied in unseemly thick layers, often provisional, tentative scouting operations, wandering behind enemy lines. A welter of colour both obscures and reveals in equal measure, brief appearances are unceremoniously removed and just as inexplicably, reinstated.
A game of chance and necessity, as if pinning the tail on the donkey were a matter of life and death.
The composition is another battle ground; the vertical, rhythmic and regular nature of the trees has more to do with preserving the flatness of the picture plane than suggesting spatial depth and recession, but it is still a compromise, a kind of aesthetic fence-sitting. But I have noticed something else, something outside of my preoccupation with the conventions of seeing. The regimented line of trees is perhaps more than a pictorial device.
Considered from the perspective of symbolism you could be encouraged to see the trees as a continuous wall or make-shift barrier with hardly space for a body to pass through.
Extending the metaphor, they become upright prison bars, preventing entry and escape, separating us from the 'secret of things'. It has been said by many writers that 'Painting' is an irrational activity with no clear utilitarian value, but the interplay of line, tone, texture and colour makes silent demands on all of us, if we are prepared to allocate time and look beyond the immediacy of our initial sensations.
Thank you for reading my latest art blog post! Hope to see you at the affordable art fair this week! Find out more information below!
Upcoming Exhibitions and Art Fairs - 5-8 May
I will be exhibiting abstract landscape artwork inspired by the Fenlands in Britain at the Affordable Art Fair in Hampstead, London this May 5-8. I will be exhibiting with Linton 59 and Darryl Nantais Art Gallery is representing my artwork at Stand i7. I do hope you can be there and see my artworks up close.
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Art Buyers and Collectors: How To Buy Paintings by Peter Corr?
If you take a look at my art gallery and would like to purchase an original oil painting, you can email my Art Representative, Karl, at The Darryl Nantais Gallery Ltd on firstname.lastname@example.org or get in contact via the contact form on his website https://linton59.co.uk/contact. Please add the name/title of the artwork in your message. It may have already sold, but if that is the case, don't worry, you can request a commissioned piece and get a painting you will love.
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Thank you for reading my contemporary art blog. Please take the opportunity to look at my collection of paintings in the online gallery. All of my paintings are original artworks on high-quality canvas frames. If you are interested in purchasing a specific painting, please get in touch to check current availability or to discuss a commission. Please contact me.
I am a UK based abstract landscape painter/artist with a range of compelling and popular original mixed media paintings available to buy. You can follow my artistic practices, latest artworks and painting techniques and news by reading my contemporary art blog.
If you have seen an artwork that you like, you can buy my art online and easily order a painting by contacting me directly using the contact form. Please add the name/title of the artwork in your message. It may have already sold, but if that is the case, don't worry, you can request a commissioned piece just and get a painting you will love.
I ship paintings worldwide, and they are professionally and securely packaged for National and International courier services. They are delivered to your home in a reinforced box within 3-5 days of your order. You can buy my art online and order a painting or request a commissioned piece by contacting me directly using the contact form.
Each artwork will arrive unframed with painted edges, ready for you to hang. If you wish to frame a painting, you can make a direct request at an extra cost or contact your local framing shop.
I am a British artist based in Ely, Cambridgeshire and my work is sought by collectors here in the UK and worldwide. I have exhibited recently at the Battersea Affordable Art Fair, The Babylon Gallery in Ely, The Art in East Anglia Gallery, in Bury St Edmunds, The Darryl Nantais Gallery in Linton, The Michael House Centre and The Locker cafe in Cambridge. I also have collections of my artwork in prestigious office settings in major towns and cities throughout the country.
I work in mixed media, oil, cold wax, acrylic, bitumen and on both medium and large-scale canvases. My techniques involve a range of techniques and processes including, drawing, painting, collage, printing and mixed media applications. My main subject matter is landscape and abstraction and many of my paintings are located somewhere between figurative and non-figurative approaches to image-making.