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PeterCorr@hotmail.com
+44 (0)1353 610 280
Cambridgeshire, England


Imperfection, Patina and the Painted Surface
The more I paint images of the forest, the more I see trees as a cipher — a kind of encoding, a representation of something else. This painting finally declared itself to me after a few weeks of alternately applying, layering, and removing pigment. 'Natural Theatre' 120 x 100 x 4 cm Oil & Cold Wax on Canvas Painting as Excavation This is painting as extrusion or excavation — not unlike a sculptor releasing a figure embedded in a marble block, or an archaeologist revealing an
peter corr


The Physicality of Oil and Cold Wax — Surface, Texture and the Painted Object
Mike Tyson's remark has always struck me as unexpectedly apt for painting. You can plan a surface, intend a particular quality of light, work toward a specific resolution — and then the painting refuses. What happens next is where the real work begins.
peter corr
'Reflections in the New Forest' — Artist Residency Work
'Reflections in the New Forest' — Artist Residency Work 'Reflections in the New Forest' is one of a group of paintings made during my residency in the New Forest. The title refers both to the literal reflections of trees and sky in the forest pools and streams, and to the more general quality of reflection — of looking back, of seeing the landscape in relation to memory and experience — that the residency encouraged. The Residency The New Forest residency was a period of sust
peter corr


Bring back the Sun…if only on Paper 'Solar Reprise' Acrylic Painting.
A painting inspired by the warmth and vibrancy of the Sun. For me, the shapes and colours of this work on hand made paper reflect the...
peter corr
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