top of page
PeterCorr@hotmail.com
+44 (0)1353 610 280
Cambridgeshire, England


The Medium in Detail — Oil, Wax and the Painted Surface
This post sets out the material composition of the cold wax medium I use — the beeswax, damar resin, and solvent — and describes how these elements behave during and after painting. It is intended as a reference for those who want to understand the physical basis of the work.
peter corr


Cold Wax Medium — Properties, Possibilities and the Painted Surface
Using cold wax medium with oil paint to create a forest
peter corr


How Long Does It Take to Create a Painting? Fifty Hours or Fifty Years?
Artists are often asked this question — it is typically the first and frequently the last. The conventional answer is that the hours spent directly on the painting might add up to a few days, weeks, or perhaps a month or two. The artist would then wisely note that, in reality, the piece in question represents the accumulated knowledge and experience of a lifetime. Both answers are true, and neither is complete. Painting of a Forest by Peter Corr 'The Lie of The Land' The Infl
peter corr


Returning to the Studio — On Creative Inactivity, Risk, and the Alchemy of Materials
Every painter knows the experience of stalled momentum — the studio that feels resistant, the canvas that offers nothing back. This post reflects on what that state actually is, and on the particular discipline of returning to work not when inspiration arrives, but before it does.
peter corr
'Fenland' — A Photography Book
'Fenland' — A Photography Book 'Fenland' is a photography book documenting the Cambridgeshire Fenland landscape — a body of work made over several years, with the majority of the photographs taken during the winter of 2020/21. The book brings together black and white images of the Fenland's characteristic topography: dykes and rivers, tilted telegraph poles, uneven roads disappearing into the distance, and the isolated farmhouses and farm buildings that punctuate the flat ter
peter corr


Archaeology of Thought — Themes in Painting
This painting, 'Archaeology of Thought', is made in oil and cold wax medium on a cradled wooden board. It belongs to a continuing body of work concerned with landscape, climate, and sensory experience translated into paint — work that asks what it means to record a place not through description but through accumulation. The title is deliberate. Archaeology implies excavation: the careful removal of material to reveal what lies beneath. But it also implies the reverse — the sl
peter corr


Hallucinogenic Mushrooms in the heart of Thetford Forest
Breckland or the Brecks is a wild landscape of dark forests, open heathlands, sandy soils and iconic belts of pine trees that straddle...
peter corr
bottom of page