‘Walking on Sunset’ Acrylic on Paper ‘Walking on Sunset’ Detail This is one of a series of acrylic paintings on hand made 300 gsm paper and I’m enjoying the immediacy of working on this high quality textured surface. The shapes and colours of the painting show exuberance and optimism and a delight in the here and now. The curved and straight lines celebrate visual contrast and compositional balance. There is a flowing movement from left to right across the picture plane, whic

Abstract Landscape painting using cold wax medium Artists are always searching for new materials and different ways of representing their feelings, their thoughts and ideas. The medium of cold wax provides a gateway into a world of experimental techniques and creative possibilities. The key ingredients are inexpensive and are relatively simple to combine using an old pan and a griddle. I use a basic recipe of 3 parts turpentine and 1 part beeswax. If I need a softer, more flu

What do I mean by reverse archaeology? That archaeology may have something to offer painting is less complicated than you might imagine. The painting that you see here is really 3 paintings in one, except that you can only see the last layer, or the current layer, to be more accurate. This work started out as a monochrome image using a bitumen ground with a white chalk paint applied in alternate layers. The chalk layer acted as a kind of sgraffito surface that could reveal th

‘Carnival’ 100 100 x 4 cm on Canvas This painting is part of the geometric tradition of abstraction and is reminiscent of the ‘hard edge’ American abstract painters of the 50’s and 60’s. The colour is applied with a glazing and staining method using successive layers and washes, enhancing both depth and luminosity. Spatial qualities are carefully controlled with certain vertical columns alternately advancing and receding. The addition of iridescent gold paint contrasts direct

I tend to use materials in experimental ways, often going against traditional principles and recommendations. This particular painting uses a wide variety of tools and materials, some conventional, much less so. The list of media includes, oil, cold wax, bitumen, acrylic, chalk, pumice, tissue paper and card. The tools range from palette knives to barbecue skewers. In my next post, I will take you through the process from beginning to end. #artworks #abstractlandscape #abstra

‘Neu Wald’ This highly textured painting on a solid oak block has just been sold to a collector in Scotland. Oak has a very dense grain and provides a resilient surface for the cold wax process. A variety of tools can be used with confidence to create a range of natural textures and fine surface markings. Multiple layers of wax have been used to generate the illusion of depth and translucency. ‘Neu Wald’ (detail) #painting #gold #petercorr #buyartformyoffice #beautifulart #ge

Just completed setting up the exhibition last night at the Locker Cafe. Many thanks to John, the owner of the Locker art cafe for his assistance with the hanging process. I will visit the cafe over the coming weekend when it is busy and full of customers… Maybe take a video to give you an idea of the overall layout and lively atmosphere. Don’t forget, if you are in town, take a break from your shopping, have a coffee, a bite to eat…enjoy the artwork. #abstractlandscape #abstr

I have just been working on a commission based on one of my recent New Forest paintings. It has taken over two months from start to completion and I am genuinely pleased with final outcome. For those of you who have worked on a commission before you will know that they can sometimes be problematic. I think it is extremely important to be clear about the nature of the painting process and to communicate this through discussion with the other party. Each painting is inevitably

‘Till’ by Peter Corr 60 x 60 cm The Fenlands are highly productive agricultural land and at this time of year, farmers can be seen ploughing and tilling the earth in readiness for the next year. The tilling blades comb the topsoil, mixing and aerating as they are dragged across the fields. I have used plaster, oil and cold wax medium, alternately scoring and layering the materials to recreate the furrowed surface. The late evening light at this time of year has a warm soft gl

‘The Three Realms’ by Peter Corr ‘The Three Realms’ by Peter Corr For me, a title is an important element in the creation of a painting. I know that many abstract painters use numerical systems to identify and classify their work. I prefer to title each image and through the invention of the title, try to enhance the life, associations and potential relevance of the work. In this instance, I really wanted a title that would express in a very direct way, the inspiration and th

‘After the Rain’ 80 x 80 cm on canvas by Peter Corr ‘After the Rain’  could be seen as a departure from the tonality and minimalist approach I have been using recently, but even so, this painting remains firmly in the realm of abstraction. The weather here in England is a a limitless topic of conversation for all of us and we have just experienced one of the hottest Summers on record. However, the wind and rain is never far away and this painting reflects my experience of cyc

‘Gilded Shore’  100 x 75 cm Gilded Shore is an abstract painting in terms of technique, style and intention. It is based on the flat, open landscapes of the East Anglian, Cambridgeshire Fenland. Semi transparent glazes give depth and luminosity as light is reflected through the layers of pigment. The variegated surface of the painting is achieved with thickly applied bitumen and cold wax medium. The lustrous quality or sheen is achieved through a combination of burnishing the

This is a large acrylic painting on a 122 cm x 72 cm professional quality canvas. It is semi abstract in terms of technique and style. It is based on the rhythms and cycle of growth seen in nature. There is a spiralling arc of movement…….. upwards towards the light. The surface is built up in heavy impasto layers, these are combined with tissue, leaves, newsprint and card. Additional translucent glazes have been added over time. I have been influenced by the contemporary arti

‘Mercurial’ is a painting I have just completed for the ‘Cambridge Envisaged’ Exhibition; the composition, structure and style closely follows the other images in the series. I have retained the square format, recurring geometric shapes and warm tonality seen in previous works. The influence of American abstract expressionism is visible in the flatness and absence of overt representation; at the same time I have tried to convey a sense of the architectural qualities of the ci

This painting is part of my ‘Cambridge Envisaged’ series. It is a mixed media, abstract work based on the city of Cambridge in the United Kingdom. Cambridge is a world renowned  university city and the recurring motifs of Gothic arches and ancient doorways provide a visual rhythm, reflecting both the passing of time and continuity. The textures and patina of well worn stone respond to sight and touch. At this time of year, shafts of diffused golden light illuminate walkways,

Republican Voices: Mixed Media and acrylic paint on canvas This is a larger scale painting in the ‘Cambridge Envisaged’ series. This particular composition has undergone numerous changes and transformations. Any one of the 3 or 4 underlying layers could, at any given stage,  have become the final painting. My original intention was to focus on surface texture and mark making, but the painting decided to travel in a very different direction. All of the paintings in the series

This is a mixed media acrylic painting on canvas; one of a series of paintings to be shown at the Michaelhouse Centre in Cambridge at the ‘Cambridge Envisaged’ exhibition this November. I wanted to represent the city primarily through abstraction by  using archetypal shapes, colours and textures that reflect aspects of the buildings and townscape. The composition plays alternately with illusionistic perspective and a flat ‘map like’ design, never quite allowing the eye to set

‘Topographical’ Canvas size: 80x80x2cm You may have seen this exhibited in my ‘Cambridge Envisaged’ exhibition this autumn in the center of Cambridge University. #painter #abstract #oilpainting #Abstraction #Art #artist #coldwax