This painting, 'Archaeology of Thought', is made in oil and cold wax medium on a cradled wooden board. It belongs to a continuing body of work concerned with landscape, climate, and sensory experience translated into paint — work that asks what it means to record a place not through description but through accumulation. The title is deliberate. Archaeology implies excavation: the careful removal of material to reveal what lies beneath. But it also implies the reverse — the sl

'Shallow Lands' 100 x 100 cm Mixed Media on C Paint can be applied with almost anything that will hold it. I rarely use brushes in my current work — not from any aversion to them, but because working with brushes alone tends to return me to a familiar repertoire of marks and painterly qualities that become predictable over time. The introduction of unconventional materials and tools has been both liberating and demanding, opening up surface possibilities that a brush simply c

'One Hundred Years of Solitude' 150 x 100 cm Oil on Canvas

A landscape painting of Thetford Forest in oil and cold wax medium

Fields, Rivers and Dreams — The Fenland Landscape from Above Seen from above, the Cambridgeshire Fenlands reveal a geometry that is invisible at ground level. The dykes and drains run in straight lines across the flat terrain, dividing the land into rectangles and parallelograms of varying colour and texture. The rivers wind between them, their curves a counterpoint to the rigidity of the drainage system. From the air, the Fens look like a vast, abstract painting — a composit