A close-up look at “Forest Ensemble,” where pale birch trunks and layered blues create a calm, rhythmic woodland atmosphere.

Gold enamel and cold wax medium

This is the work currently in the studio. I have decided to produce a series of paintings based on the VolksPark in Berlin

How to be creative with oil paint and cold wax. Using Jeff Becks guitar playing for inspiration

Cold wax landscape painting techniques

I have always considered Cubism to be the key movement in the development of contemporary art — the ultimate catalyst, a clean break with tradition and a revolutionary way of seeing, interpreting, and reconstructing the material world through painting. After Cubism, there could be no return to the false comforts and certainties of representational painting. It fatally undermined conventional ways of recording what we see. For the first time, the supremacy of Renaissance persp

I always return to the forest as a subject for painting. It is a source of limitless fascination and inspiration. I create these forest paintings primarily from memory. I do have photographs taken at various locations, but I rarely use them to complete a painting. They may offer a starting point, a way of seeing, or a particular quality of light — but ultimately a painting has to work on its own terms. Effective paintings have a convincing internal character and consistency.

This painting was seen in my ‘Cambridge Envisaged’ exhibition in autumn of 2016 in the centre of Cambridge University.

' The Archaeology of Thought' Oil and cold wax 60 x 60 cm

A Minimalist abstract painting based on water and clouds

Borderlands. An abstract Landscape painting by Peter Corr. See his work at the Battersea Affordable Art Fair 21 - 24 October 21

‘High White Fen’ 80 x 40 on Cradled Board (Detail ‘High White Fen’) Detail ‘ High White Fen’ If someone told you that a painting of a...

Cambridge Open Studios, July 2021 In July 2021 I participated in Cambridge Open Studios — an annual event that opens artists' studios to the public across the Cambridge area. Open Studios is one of the most direct forms of engagement between artists and their audience: visitors come to the studio, see the work in the context in which it was made, and have the opportunity to talk with the artist about the process and the ideas behind the paintings. The Studio The studio is the

Fields, Rivers and Dreams — The Fenland Landscape from Above Seen from above, the Cambridgeshire Fenlands reveal a geometry that is invisible at ground level. The dykes and drains run in straight lines across the flat terrain, dividing the land into rectangles and parallelograms of varying colour and texture. The rivers wind between them, their curves a counterpoint to the rigidity of the drainage system. From the air, the Fens look like a vast, abstract painting — a composit

'Reflections in the New Forest' — Artist Residency Work 'Reflections in the New Forest' is one of a group of paintings made during my residency in the New Forest. The title refers both to the literal reflections of trees and sky in the forest pools and streams, and to the more general quality of reflection — of looking back, of seeing the landscape in relation to memory and experience — that the residency encouraged. The Residency The New Forest residency was a period of sust

Gestural Painting — Scale, Movement and the Large Acrylic Gestural painting is, at its most fundamental, a record of physical movement. The marks on the canvas are traces of the body in motion — the arm, the wrist, the hand — and the energy of that movement is preserved in the dried paint. Working at a large scale amplifies this quality: the whole body becomes involved in the act of painting, and the resulting marks carry a physical presence that smaller-scale work cannot ach

Acrylic on Paper 20 ” x 16″ The geometric forms in Paul Klee’s compositions have always fascinated me. There is a natural rhythm to his...

Capturing the vitality and richness of oil paint in acrylics is a challenge. Oil paints have a natural, organic quality that is generally...

A painting inspired by the warmth and vibrancy of the Sun. For me, the shapes and colours of this work on hand made paper reflect the...

Saturated Colour and Abstraction — Acrylic on Canvas This group of paintings explores the expressive possibilities of saturated colour in an abstract context. Colour, in these works, is not descriptive — it does not refer to the colour of a specific landscape or object — but structural: it organises the composition, creates spatial relationships, and generates emotional resonance. Acrylic and Colour Acrylic paint is particularly well suited to the exploration of saturated col